![]() ![]() That occurred in Astonishing Tales #12 (June 1972), in which the seven-page story was integrated in its entirety within the 21-page feature " Ka-Zar", starring Marvel's jungle-lord hero. A second story, written by Len Wein and drawn by Neal Adams, was prepared at that time, but, upon Savage Tales' cancellation after that single issue, "took a year or two to see print", according to Thomas. Thomas and Conway are credited as writers, with Gray Morrow as artist. Thomas worked out a detailed plot and gave it to Gerry Conway to script. I didn't care much for the name 'Man-Thing', because we already had the Thing, and I thought it would be confusing to also have another one called Man-Thing. The creature itself sounds a lot like the Heap, but neither of us mentioned that character at the time. He had a couple of sentences or so for the concept – I think it was mainly the notion of a guy working on some experimental drug or something for the government, his being accosted by spies, and getting fused with the swamp so that he becomes this creature. Stan Lee called me in it would've been late '70 or early '71. Lee provided the name, which had previously been used for unrelated creatures in Marvel's early science-fiction/fantasy anthology Tales of Suspense #7 (January 1960) and #81 (September 1966), as well as the concept of the man losing sentience. Together they created five possible origins for the character. He later appeared in the Marvel Cinematic Universe television special Werewolf by Night (2022), motion-captured by Carey Jones and with Jeffrey Ford providing additional vocalizations.Īs described in the text featurette "The Story Behind the Scenes" in Savage Tales #1 ( cover-dated May 1971), the black-and-white adventure fantasy magazine in which the character debuted in an 11-page origin story, the Man-Thing was conceived in discussions between Marvel Comics editor Stan Lee and writer Roy Thomas. The character made its live-action debut in the film Man-Thing (2005), played by Conan Stevens. The Man-Thing is a large, slow-moving, empathic, humanoid swamp monster living in the Florida Everglades near a Seminole reservation and the fictional town of Citrusville in Cypress County (also fictional), Florida. Steve Gerber's 39-issue run on the series is considered to be a cult classic. ![]() Created by writers Stan Lee, Roy Thomas, and Gerry Conway and artist Gray Morrow, the character first appeared in Savage Tales #1 (May 1971), and went on to be featured in various titles and in his own series, including Adventure into Fear. Theodore " Ted" Sallis) is a fictional character appearing in American comic books published by Marvel Comics. Use Clean to optimally removing the less desired details such as: medium-sized discolorations, blotches, wrinkles, scars, crows feet and under-eye bags. Instead of creating 5 different layers in Photoshop, just drag a few sliders in Clean and you’ll get a great result in seconds.Superhuman strength, durability and stamina What’s special about this technique is that it refines image features, yielding natural and impressive results in your photos.Ĭlean’s ability to preserve the contours and overall skin integrity make it a great tool for enhancing skin appearance. The sliders in this tab are used to reintroduce original image detail back into the image – after the smoothing and edge enhancement process. Texture tab – unique because it allows for additional texture refinement. It will also produce more pronounced edges with higher contrast. Also, increasing the Sharpness slider will allow you to create curly, vector-style effects for a creative or more dramatic look. The sliders here make it easy to create well-defined lines by sharpen and accentuating key edges in your image. The smoothing capabilities allow for a fresh, clean look.Įdges tab – used to enhance and stylize the edges and lines in your image. The sliders in the Clean tab are the main ones used for portraiture and skin cleaning. Even when removing the undesired textures and features from your image, Topaz Clean is able to preserve structural integrity of your subject. These controls are divided into three groups: Clean, Edges, Color, and Texture.Ĭlean tab – where you can flatten texture, smooth out features and remove weak details from your image. Topaz Clean offers a simplified workflow that features 9 intuitive sliders that make it easy to achieve a variety of smoothing and edge enhancement effects. Topaz Clean can improve skin appearance, while preserving major facial features and tiny but important skin detail. One of the most popular uses for clean is portraiture because it allows you to easily create smoother, cleaner and clearer skin. ![]()
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